I Could See Her Again, But Probably Not Any More
I recently spent a little time reconnoitring the Disney layout in Orlando. The scuttlebutt is that that outfit runs a tight ship, but it’s always a good idea to dot the “i”s and cross “t”s in terms of checking things for one’s self. We plan to bring in a cart load of students next year. First we went to see Disney Sport, than on to get a gander, first hand, at how a great American university organizes its intramural sporting options.
After Florida it was necessary to fly up to Chicago and drive down to the vast, sprawling corn fields of “down state,” to the enormous campus of the University of Illinois. Two of us visiting from a prestigious private Japanese school would be beating the bushes, chatting up the faculty, and checking into local accommodation. The U of I campus is a costly complex, dense with resources. At one point an information specialist (librarian) mentioned in passing that the school’s library was “no longer the third largest in the country,” meaning that counting books was hardly meaningful in today’s world of electronic media. Yet, to be in the top five is not that shabby after all.
For all its egg-head trappings, C-U is still down to earth. I was able to do bed rock research when breaking ground in Controversial Leisure (the field I carved out in Leisure Studies). Previously, Leisure Studies, the scholarly pursuit of the understanding of the phenomena of human leisure, tended to be sunshine and apple pie. “What about what people really do?” I wondered. Before I settled into my current curiosity about travel and travel narratives, and cultural tourism, I codified lots of areas of “purple” leisure. I talked to cock fighters, coke dealers, and strippers, for example. Eventually I wrote publications informed by field research on areas including cock fighting, fads, and prostitution.
I talked to one stalwart of an unsavoury yet popular genre in C-U. Krystal Lynn, star of stage and screen. She was dancing the night I taped our interview at the town's finest, and only, strip club, and had at that time featured in more than 15 hard-core pornography videos.
She arrived late.
She told me earlier on the phone that she was "making the circuit," performing for just a few nights each along a vast series of clubs throughout North America and in Canada. "You might not know it," she giggled into the mouthpiece, "but that's where the money is." Then, thinking a moment, she said, "in cash." Of course I have no idea why being in cash would be better.
But in broad daylight, far from the hoochi-coochi pole and the sticky bar littered with change, cigarette packs, half-filled glasses and empty hopes, yet fully pickled men, she was scheduled for an interview with the local radio station and then a "signing." I'd never been to a stripper's signing before but, since I was working on research about strippers and their impact on the local economy [example eventual publication: “Attraction of the Naughty - Gentleman’s Clubs as a Tourism Resource,” with J. Agrusa] I thought I should find out what such a thing was.
The bookstore, in reality, was an adult video shop with a small, though selective, array of so-called sex toys and broadly humorous gag gifts. It also hosted a rotating kiosk of "patch pocket books," expensive paperback books cheaply produced and apparently not spell-checked or proofread. This is one area where the computer did kill print media.
Novelty was not a virtue of these novels, I soon found, flipping through them as I cooled my heels. They eschewed variance from a boiler-plate formula, each focused closely on a particular category of audience and offered a sequence of minutely described scenarios. After a moment I began to wonder just how many different ways oral sex could be described.
My Victorian curiosity and marginal academic interest was extinguished by the unmistakable sounds of stiletto heels tap-tap-tapping across concrete. I’d worked my way through undergraduate school, partly as a bartender. As a result, my autonomic nervous system had long ago been taught to slip into a perfect balance between fight-or-flight at the noise. Few women would be in such a shop, fewer still in heels. Krystal Lynn, at that moment, rounded the end of an aisle and rapidly closed the gap between us. Except for being obviously very fit--she must work out all the time I guessed--and very sexily dressed, the actress was almost peculiarly normal in shape, height, and weight. The name was obviously a thin fiction.
In fact, she seemed to be absolutely inside the bell-curve: no mile-tall semi-anorexic model this. Nor was she a Linsey Dawn McKensie with her "cartoon-like 34GG breasts," back then in the press for having an affair with Premier League soccer-star Dean Holdsworth. She wore the tightest, shortest dress I'd ever to that moment interacted with, except of course when eyeballing videos from this very shop, and semi-glossy black very high heeled pumps. All exposed skin, and there was an astonishing amount of it, was tanned to a lush, nut brown. Hose free, her legs were powerful as a figure skater's, shapely, and absolutely smooth and absent of nick and blemish.
"I was in California," she told me, "and I liked to show it off, you know? I was about 17 and a girl friend asked me to fill in for her partner at a call out--that's when strippers go to parties. So I got into the business doing girl-girl acts. I liked it. The money was great. It was like no work and the guys would want to take you out and buy you stuff. Too much. I began my own act when I was 19, and liked it really wild. One guy said he wanted to make a movie with me; I figured he just wanted me to suck his cock. Which of course he did, but he also did make the first video with me in it."
Her bodyguard/driver came over, a young pup apparently as tough, and certainly as personable, as a fireplug. A few customers were ready. Pardoning herself, Ms. Lynn walked to the first guy (all the clients wore the rural Illinois, USA, costume: non-logoed sky-style or bomber jacket, ironed 501s, trainers). Just before sitting down on the couch in front of him, between his legs, she snapped the hem of her tissue-thin dress up to her throat. The driver popped off a Polaroid while the guy was still in a species of shock.
I noted that Krystal was cleanly shaven, her mons as bare and cute as a fresh peach.
Pop, pop, pop in ninety-seconds the guys paid their 50 bucks, clutched their instant-prints, and wandered off. Completely poised, Krystal smoothed her hem in place two-thirds up her oval, muscular thighs, and explained, "Fifty for instant beaver with me, for $20 I sign one of the 8X10s--you wouldn't believe how many Sharpies I go through--and I've got hats, posters, and stuff."
"So, anyway," she continued telling me the obviously well worn story of her life, "after two or three fuck/suck roles, I sorta specialized in anal sex films. I'm most known for my anal sex. The most popular, you know, what sells the most overall is money shots [facial or oral ejaculation images], but every girl in the valley does then. And I've got what they call “in the business,” and here she giggled very endearingly, "a bubble butt."
Turning, she looked over her shoulder and nodded her chin down. And, indeed, her foundation was of a robustly hemispheroid profile.
"A lot of the girls get boob jobs, but they still have satchel ass--firm but flat. Anyway, I like anal sex. I made a lot of money just letting myself be taped doing what I like. But, like a told you on the phone, it’s stripping that really pays. Even the best butt-bonk film doesn't get reruns, you know?"
Kristal then went off to deal with a group of 8 or 10 guys. A couple want Polaroids, but most want print or poster. She signs them, squeaking out her name with felt-tip on a glossy poster of herself on all fours, looking back at the viewer, with smaller images framing it. She sits at the folding table nude, signing, chatting with the guys. Those nose-bleed CFM heels are, I notice, functional accessories for this mercantile activity: they present her legs perfectly taut and pedestalled, pelvic plane tilted forward, her bottom fully bubbled.
Pulling down her dress, which had been like a ruffled collar at her tanned throat, she answers my question, "Yeah, if I can, I try to show as much skin as I can get away with. I figure, I'm making out like a bandit at this, and it doesn't cost a thing to show a bit of tit. It’s kinda like advertising, too, for tonight."
In spite of an established track record, and her experience stripping all over the United States, when I'm ready to go Krystal asks me a worried question, "are the other girls very good?" Local clubs rely on local talent and supplement this with headliners, today Krystal Lynn. I was, its true, a bit moved by the evidence of this human, all too human exhibition of anxiety. "This flyspeck town hosts one of the country's biggest universities," I told her, "and 51% of that 40,000 is female--some of them dance at the club. But, no, Krystal, I can't imagine that they have more poise than you do. I don't think you have a thing to worry about."
Now, although it has been a few years since my last visit – I wanted to do a little research in that great library, this time for a feature on the development of table games in the United States --- the campus is surprisingly the same. There are more sport facilities. More buildings. But the student body still mills about in that wacky orange. And, on the drive up to Chicago, the road side is still a spectacular landscape of variegated plant life in verities of greens, golds, and browns.
After Florida it was necessary to fly up to Chicago and drive down to the vast, sprawling corn fields of “down state,” to the enormous campus of the University of Illinois. Two of us visiting from a prestigious private Japanese school would be beating the bushes, chatting up the faculty, and checking into local accommodation. The U of I campus is a costly complex, dense with resources. At one point an information specialist (librarian) mentioned in passing that the school’s library was “no longer the third largest in the country,” meaning that counting books was hardly meaningful in today’s world of electronic media. Yet, to be in the top five is not that shabby after all.
For all its egg-head trappings, C-U is still down to earth. I was able to do bed rock research when breaking ground in Controversial Leisure (the field I carved out in Leisure Studies). Previously, Leisure Studies, the scholarly pursuit of the understanding of the phenomena of human leisure, tended to be sunshine and apple pie. “What about what people really do?” I wondered. Before I settled into my current curiosity about travel and travel narratives, and cultural tourism, I codified lots of areas of “purple” leisure. I talked to cock fighters, coke dealers, and strippers, for example. Eventually I wrote publications informed by field research on areas including cock fighting, fads, and prostitution.
I talked to one stalwart of an unsavoury yet popular genre in C-U. Krystal Lynn, star of stage and screen. She was dancing the night I taped our interview at the town's finest, and only, strip club, and had at that time featured in more than 15 hard-core pornography videos.
She arrived late.
She told me earlier on the phone that she was "making the circuit," performing for just a few nights each along a vast series of clubs throughout North America and in Canada. "You might not know it," she giggled into the mouthpiece, "but that's where the money is." Then, thinking a moment, she said, "in cash." Of course I have no idea why being in cash would be better.
But in broad daylight, far from the hoochi-coochi pole and the sticky bar littered with change, cigarette packs, half-filled glasses and empty hopes, yet fully pickled men, she was scheduled for an interview with the local radio station and then a "signing." I'd never been to a stripper's signing before but, since I was working on research about strippers and their impact on the local economy [example eventual publication: “Attraction of the Naughty - Gentleman’s Clubs as a Tourism Resource,” with J. Agrusa] I thought I should find out what such a thing was.
The bookstore, in reality, was an adult video shop with a small, though selective, array of so-called sex toys and broadly humorous gag gifts. It also hosted a rotating kiosk of "patch pocket books," expensive paperback books cheaply produced and apparently not spell-checked or proofread. This is one area where the computer did kill print media.
Novelty was not a virtue of these novels, I soon found, flipping through them as I cooled my heels. They eschewed variance from a boiler-plate formula, each focused closely on a particular category of audience and offered a sequence of minutely described scenarios. After a moment I began to wonder just how many different ways oral sex could be described.
My Victorian curiosity and marginal academic interest was extinguished by the unmistakable sounds of stiletto heels tap-tap-tapping across concrete. I’d worked my way through undergraduate school, partly as a bartender. As a result, my autonomic nervous system had long ago been taught to slip into a perfect balance between fight-or-flight at the noise. Few women would be in such a shop, fewer still in heels. Krystal Lynn, at that moment, rounded the end of an aisle and rapidly closed the gap between us. Except for being obviously very fit--she must work out all the time I guessed--and very sexily dressed, the actress was almost peculiarly normal in shape, height, and weight. The name was obviously a thin fiction.
In fact, she seemed to be absolutely inside the bell-curve: no mile-tall semi-anorexic model this. Nor was she a Linsey Dawn McKensie with her "cartoon-like 34GG breasts," back then in the press for having an affair with Premier League soccer-star Dean Holdsworth. She wore the tightest, shortest dress I'd ever to that moment interacted with, except of course when eyeballing videos from this very shop, and semi-glossy black very high heeled pumps. All exposed skin, and there was an astonishing amount of it, was tanned to a lush, nut brown. Hose free, her legs were powerful as a figure skater's, shapely, and absolutely smooth and absent of nick and blemish.
"I was in California," she told me, "and I liked to show it off, you know? I was about 17 and a girl friend asked me to fill in for her partner at a call out--that's when strippers go to parties. So I got into the business doing girl-girl acts. I liked it. The money was great. It was like no work and the guys would want to take you out and buy you stuff. Too much. I began my own act when I was 19, and liked it really wild. One guy said he wanted to make a movie with me; I figured he just wanted me to suck his cock. Which of course he did, but he also did make the first video with me in it."
Her bodyguard/driver came over, a young pup apparently as tough, and certainly as personable, as a fireplug. A few customers were ready. Pardoning herself, Ms. Lynn walked to the first guy (all the clients wore the rural Illinois, USA, costume: non-logoed sky-style or bomber jacket, ironed 501s, trainers). Just before sitting down on the couch in front of him, between his legs, she snapped the hem of her tissue-thin dress up to her throat. The driver popped off a Polaroid while the guy was still in a species of shock.
I noted that Krystal was cleanly shaven, her mons as bare and cute as a fresh peach.
Pop, pop, pop in ninety-seconds the guys paid their 50 bucks, clutched their instant-prints, and wandered off. Completely poised, Krystal smoothed her hem in place two-thirds up her oval, muscular thighs, and explained, "Fifty for instant beaver with me, for $20 I sign one of the 8X10s--you wouldn't believe how many Sharpies I go through--and I've got hats, posters, and stuff."
"So, anyway," she continued telling me the obviously well worn story of her life, "after two or three fuck/suck roles, I sorta specialized in anal sex films. I'm most known for my anal sex. The most popular, you know, what sells the most overall is money shots [facial or oral ejaculation images], but every girl in the valley does then. And I've got what they call “in the business,” and here she giggled very endearingly, "a bubble butt."
Turning, she looked over her shoulder and nodded her chin down. And, indeed, her foundation was of a robustly hemispheroid profile.
"A lot of the girls get boob jobs, but they still have satchel ass--firm but flat. Anyway, I like anal sex. I made a lot of money just letting myself be taped doing what I like. But, like a told you on the phone, it’s stripping that really pays. Even the best butt-bonk film doesn't get reruns, you know?"
Kristal then went off to deal with a group of 8 or 10 guys. A couple want Polaroids, but most want print or poster. She signs them, squeaking out her name with felt-tip on a glossy poster of herself on all fours, looking back at the viewer, with smaller images framing it. She sits at the folding table nude, signing, chatting with the guys. Those nose-bleed CFM heels are, I notice, functional accessories for this mercantile activity: they present her legs perfectly taut and pedestalled, pelvic plane tilted forward, her bottom fully bubbled.
Pulling down her dress, which had been like a ruffled collar at her tanned throat, she answers my question, "Yeah, if I can, I try to show as much skin as I can get away with. I figure, I'm making out like a bandit at this, and it doesn't cost a thing to show a bit of tit. It’s kinda like advertising, too, for tonight."
In spite of an established track record, and her experience stripping all over the United States, when I'm ready to go Krystal asks me a worried question, "are the other girls very good?" Local clubs rely on local talent and supplement this with headliners, today Krystal Lynn. I was, its true, a bit moved by the evidence of this human, all too human exhibition of anxiety. "This flyspeck town hosts one of the country's biggest universities," I told her, "and 51% of that 40,000 is female--some of them dance at the club. But, no, Krystal, I can't imagine that they have more poise than you do. I don't think you have a thing to worry about."
Now, although it has been a few years since my last visit – I wanted to do a little research in that great library, this time for a feature on the development of table games in the United States --- the campus is surprisingly the same. There are more sport facilities. More buildings. But the student body still mills about in that wacky orange. And, on the drive up to Chicago, the road side is still a spectacular landscape of variegated plant life in verities of greens, golds, and browns.